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Skeleton Woman

by Tawni Marshall

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    Limited to 25 copies on Pink/Blue shells with hand-drawn labels. CD includes random unique hand-drawn artwork in typical Tawni Marshall fashion.

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Deadnamed on Santa's Shitlist, Skeleton Woman, The Perfect Time For Christmas (feat. Jacob Marley), What Were My Bones, You Built the Room 'round the Elephant, The Workingtrans Blues, Queerantine, Aries Moon, and 3 more. , and , .

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1.
I woke up slowly and I looked outside. Things looked so still, but still, they're real and feel alive. My body twitched and I scratched an itch that pricked at my hide. My limbs were stemmed from skin that was hemmed to a lens that spies from inside myself. And I never move, but I'm moved by the movement around me, It rolls like a wave that drags me toward my grave. I know I can't stay. There were times that I swore to myself you were reading my mind. Things got so clear, my dear, I was here and I'm still on your side. And the delicate bloom of the room that we share from inside ourselves shelters my faith; keeps it in one place so it won't float away.
2.
You woke up in the middle of a terrible sound, with the sunlight bent from beating on a higher ground. And the words you said were already in your head as you made your eyes try to sympathize and then went back to bed. I get down. I get down in the ground. When the going gets tough I get the Hell out of town. Childhood crumbles as you're fortified by the sound of tomorrow as it comes alive. Whirring with the motion of uncertain time, everyone's a gambler with a worried mind. The painter is crazy looking for the beautiful flaw. "Life is amazing!" she screams down a narrowing hall. You're moving far away as soon as time allows it. But where in the world could the world fit if your mind never loses it's idea of it? I get down. I get down in the ground. When the going gets tough I get the hell out of town.
3.
Down in the gutter with tempo and flair I make my money like everyone else. I make my living in the service of a vending machine. Solitude, silence, they're not really there. You can't have nothing if you're something, dear. You'll be connected in spite of your reckless affection. Well, casting my shadow, it's shallow and clear. It cuts through the light, a night carried by me. I'm amazed by it's shapes as they change with a different perspective. But sometimes my shadow gets inside my skin and it flails in my body like a flag in the wind, and I change my shape at the mercy of its misdirection. When I was much younger, much younger than now. I was amazed by the world all around. I spent my time listening to how my life sounded. But now that I'm older, much older than then, I can't seem to keep time or to hang on to friends. And I'm figuring out just how much all my dreams are unfounded. Sometimes I space out for hours end on end and the hours keep on coming, though I don't let them in. When I come to my senses I'm changed without changing a thing. And everything's relative, so it's been said. Though I don't think that thought could quite fit in my head; the absolute certainty of a relative life without limit. Down in the gutter with tempo and flair I make my money like everyone else. I make my living in the service of a vending machine. Solitude, silence, they're not really there. You can't have nothing if you're something, dear. You'll be connected in spite of your reckless affection.
4.
I saw you then I saw you. Then I didn't see you again. The you became a her, and the here a there, the now a then. Lost in the conversion, an entirely different version of every little ray from the sun. It's just the same. It's so much different now. I was in and out of love and slowly out of hopes and dreams. I was nailed against the way and I cried for you to come to me. You waited and you watched and you saw how real my blood was. You painted all your walls with me. You left me hanging; a monument to me. A bat in a cathedral, beating in the dusty mouth of God that's wrapped in stillness. There's no one here. I can't get out. An entirely different version's been lost in the conversion, so this bat is headed south. It's just the same. You're so much different now. I saw you then I saw you. Then I'd never see you again.
5.
I got a feeling I lost my belief in a lot. My wants are all I've got. Tongue-tied and dreaming, wide-eyed and reeling from a wind, a wind that's made of thought. From out of the shadows of a graveyard that holds what were my bones, she walks delicate and alone. Whispering madly, the tree limbs reach sadly just to touch her as she goes. Caught up in words that don't seem to add up to much of anything at all. The wind tends to drown out the sounds my heart pounds out, and it beats it beats against the wall. I found a comfort in something I never found at all. I hid it somewhere I don't know. She left me flowers, to tell me she knows that something's wrong. I'll plant them where they belong. Caught up in words that don't seem to add up to much of anything at all.
6.
The canvass is tightly stretched; made to fit on its frame. She throws paint that quietly lands and forms some meaningful thing; a collage of indifference, artistic detachment, sexual sorrow and rain. I'm in the kitchen, hardly worth mentioning, trying to make a heart of my brain. The night's in the ashtray smoldering lifeless, spilling its smoke through the room, leaving faint traces of thoughts without faces; a faded beautiful tune. She wrestles in bed with a sketch in her head, painted pale by the moon. And God knows I miss her as my guitar whispers "I'll see you soon." I'm killing this silence with unspoken violence. I'm cutting myself to the bone. I look from each angle 'til my eyes are tangled. I'm left with an unfinished poem. And that's where I'll keep you put away neatly; a scribbled portrait, alone. Black lines of darkness that slip through the canvass and form the thoughts of a girl.
7.
Blind obsession and raw unnamed desires are cast into me like wood into a fire. So God will keep a watchful eye on me. And God will keep a watchful eye on me. Thought alone Thought alone gives life to me. Did you know God's lighting is ripping through my brain? We clouds hang lifeless, and it always looks like rain. So God will keep a watchful eye on me. And God will keep a watchful eye on me. Thought alone. Thought alone gives life to me. God's great gray temple in the clutches of a bone. My aching head is God's majestic throne.
8.
9.
If I knew a doctor, I would ask him if he had a cure for my disease. My ailments rob my body of a soul. I don't know no doctor, so I'm off to ask a priest if maybe he can tell the answer to the problems of my dizzy spells. I don't know no doctor know-how anyway, but the way that I've been living it seem there's Hell to pay. I went to the river trying to wash myself clean, but the water burned my skin. Now it seems I'm allergic to anything holy. So, I went to the pharmacy, trying to get a little something for my pain, but the pills they gave me took all of my words away. I don't know no doctor know-how anyway, but the way that I've been living it seem there's Hell to pay. I went to the factory, trying to work off all my sins and maybe make some pay, but the man there said they shipped all of their jobs away. So, I went to the office, trying to get a little help to come my way, but the man there said there's no such thing as help these days. I don't know no doctor know-how anyway, but the way that I've been living it seem there's Hell to pay. I don't know no doctor know-how anyway, and the only insurance I got is that my health will fade.
10.
Open up your eyes, your tired eyes. It's dark outside. It's dark outside. And when it's light, it's too bright to see. Had a dream where you were solid as can be, and all your pieces disconnected and roamed free. You scattered yourself in all directions you could see. I felt you rushing through the wind all around me. But it was light, and you were bright, too bright for me. Open up your eyes, your lifeless eyes. Your nameless guise. Your nameless guise. It's no surprise that you died because of me. Had a dream where you were solid as can be, and all your pieces disconnected and roamed free. You scattered yourself in all directions you could see. I felt you rushing through the wind all around me. But it was light, and you were bright, too bright for me.
11.
You know that this is where I go to get the proper medicine. When I need my mind to slow down, and I'm restless in my skin. I will sit among my ghosts, and I will sit among my friends, counting minutes 'til they close, because I counted on you again. The bourbon makes the colors run and then the night becomes a blur. I hear laughter in the fog, but I can't make out any words. A symphony of voices echoes to the sky; the steadfast birds beating wings in rhythm to the unhinged music I have heard. Well, I am just another lush among the lushes at the bar who thinks that she has drank enough to figure out just who you are. Monoliths, lined in a row with cinemas lit in their heads; empty pockets, empty eyes, empty bottles, empty beds. Take me someplace safe before I lose myself again. Show me what my soul is for, and let me use it, my friend. He was just a bare-boned man, that is all that we ever were. Heartache makes the colors run, and then the night becomes a blur. You know that this is where I go to get the proper medicine. When I need my mind to slow down, and I'm restless in my skin. I will sit among my ghosts, and I will sit among my friends, counting minutes 'til they close, because I counted on you again. Why did I count on you again?
12.
Marching toward the common goal. It's soluble in alcohol. And on the wall, the punch you pulled. The lovesick child is getting old. And in the hall, behind the girl, your childhood bed is comfortable. "It's in your head," says the world. You tell yourself it's in your soul. Empty spaces in your life and advertisements in your eyes. They whisper to you every night, sell you dreams and alibis. Chase the remnants of a time, when time was endless, life was right. They whisper to you every night; snakes with halos made to shine. You kiss the lips of ghostly girls and on their wrists the open sores are bleeding light that blinds the world. The time has come to close the door. It's dark again, you're in yourself. Hear the ringing of the bell. She's waiting for you in the hall. She's soluble in alcohol. She's soluble in alcohol.
13.
I write by your light in the aimless night. It keeps me awake. I don't have what it takes to run away and tame my heart again, or say that it's not real, or turn my back on what I feel, or make amends with my skeletons, turn my dreams into dreams again, and push these nights into the back of my mind only to wait 'til it's night again. Where do you keep your light that burns in all that dark? Is it pouring from your eyes? Or do you hide it in your heart? I see a light and it shines into the depths of darkest night; the saddest light I have a ever seen. What a frail and beautiful beam! I don't have what it takes to run away and tame my heart again, or say that it's not real, or turn my back on what I feel, or make amends with my skeletons, turn my dreams into dreams again, and push these nights into the back of my mind only to wait 'til it's night again. I write by your light in the aimless night. It keeps me awake.
14.
Esmeralda 04:54
I saw you last night with my shoelace untied. It somehow felt right to let part of me die. I tried to rhyme. I try all the time. But I find I get left behind, 'cause you're only alive in my mind. Esmeralda, you gave me water, but you could not dress my wounds. And after they caught you, they found me in your tomb. This is your cathedral. The light bends for you. My head is ringing, and the bells are yours, too. I'm all twisted inside by your shining eyes. Why is it so hard not to lie when you ask if I am alright? Esmeralda, I know there's no home that could hold you wholly embraced, but regardless of wherever you roam, I still think of you in one place. I still think of you in one place. I tried to rhyme. I try all the time. But I find I get left behind, 'cause you're only alive in my mind. Esmeralda, you gave me water, but you could not dress my wounds. And after they caught you, they found me in your tomb. They found me in your tomb.

about

Sometimes you have to look back to move forward.

The songs on Skeleton Woman were written between 2003-2010. They were all released under the name "Tony Marshall," running from "Skeleton Man" to "Nervous Wreck," when I was between 19-25 years old. At the time, they were basically field recorded with whatever was available after being written feverishly over many very long nights.

For a long time I shied away from performing material from that period of my life. Not only was it a painful headspace to inhabit, but it just didn't feel like me anymore. By the time I was releasing music as "Toni Marshall" in 2013, I'd moved on stylistically. My early work felt super basic, mostly just a vehicle for lyrics I constantly felt compelled to write. I had no interest in revisiting it as I worked on finding my voice after coming out.

At this point in my life, I've been releasing music longer as me than I did under my deadname. My kid is the same age I was when I first started recording music. I'm so far removed from the person I was in my early 20s. I truly live a life I never imagined I'd live. Back then, I had no intention of being on the edge of 40, nor would I ever allow myself to even dream I'd find love and community as a woman.

Skeleton Woman is a curation of something I'd realized but wasn't ready to admit. Something that ate at me until I descended into alcoholism. Something that only let up once I said it out loud, plainly and unsung. These are songs about gender dysphoria. I wrote them a lifetime ago, when I still had a big bushy beard and glassy eyes. I sing them now, fully realized as the person who survived that wreckage.

credits

released October 27, 2023

All songs written & performed by Tawni Marshall
Produced by Tawni Marshall & Echo Joy
Lead Engineer: Echo Joy

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Tawni Marshall Indianapolis, Indiana

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